Venus Sun Superior Conjunction, MakeMake, Quetzalcoatl, and Justice from the Underworld
Image; The Planet Venus via WikiMedia Commons.
In this article, we want to explore the Venus Sun Superior conjunction from a different point of view, because a Sun Venus Superior conjunction is in the discovery chart of trans-Neptunian object MakeMake.
On 22 - 23 October 2022, we will be having a Venus Sun superior conjunction for the first time in hundreds of years in the sign of Libra, heralding a momentus shift for mankind. Multiple previous articles have already detailed this from different angles. Find them listed below:
The Venus Sun Superior Conjunction energy is key to understanding MakeMake energy. There is already a very lengthy discussion about MakeMake’s discovery chart that details this phenomenon, and how it is reflected in the events that went down before the near total destruction of the island Rapa Nui.
To be able to understand this particular article, readers may have to understand the dynamics behind a Venus Sun Superior conjunction, so do read the other articles, to understand the following better.
The story of Quetzalcoatl is the story of Venus Consciousness in ancient Mesoamerica, among the Aztec people. Kukulkan was the Mayan version of the same deity.
It is pronounced as ketsal'koatl.
Below is Quetzalcoatl, as depicted in the Codex Magliabechiano (16th century), with reverence to life flowers feeding a hummingbird (click to enlarge). He is the mythological figure who represents the planet Venus as a symbol of Death and Resurrection, much like the Greek mythology of Persephone that visited the Underworld and became Queen of the Underworld and harbinger of spring and renewal.
And also other ancient stories like that of Sumerian goddess Inanna (also Ishtar) from Mesopotamia who wanted the “powers” that having journeyed the underworld represented, and her visit to her sister Ereshkigal to be initiated.
It’s about a rite of passage that was well known across the world in ancient times when people lived closer to the wisdom and rhythms of the natural world and its cycles. History, mythology and archeology has many examples and stories about Venus in culture that go along this same vein.
The concept of death and resurrection pervades ancient mythology, as one of our central hopes that we can rise again, if not literally then metaphorically.
It represents the awakening from denial to awareness, the movement from a lower to a higher nature.
The Mayan and Aztec people had a deep affinity for the planet Venus. In fact, their calendar is based on her cycles, and shows they had intimate knowledge about her smaller 8 year cycle with the Venus/Sun superior and inferior conjunction, as well as the much larger cycles.
Multiple ancient civilisations understood the Venus cycle in the same way. They saw her expression, before she entered the underworld, as a more IMMATURE expression, and after her stay in the underworld, they viewed her as a more MATURE version.
Who was Quetzalcoatl?
Quetzalcoatl was the Aztec’s Feathered Serpent god, controller of winds and bringer of maize, their staple crop. He was kind and non-harming, yet a clever shapeshifter, he used his wits to trick the Lord and Lady of Death into giving him the bones that he shaped into mankind. Quetzalcoatl was sometimes portrayed as a trickster god, and while his plans did not always work as intended, they did consistently benefit humanity. He appeared in images, statues, and carvings starting around 100BCE. Depictions of the Feathered Serpent usually took the form of a carved snake head placed upon a wall, with further relief carvings depicting feathers or birds. These carvings also included a conch shell, which was a symbol of the wind. Starting around 1200CE, the manner in which Quetzalcoatl was depicted began to change. From this point on, he was usually portrayed as a man wearing a conical hat, conch shell pectoral brooch, shell jewelry, and red duck-billed face mask.
In many versions of the myth, Quetzalcoatl worked in opposition to his brother Tezcatlipoca, who grew to hate his benevolent nature and many good deeds, and wanted to corrupt him. This rivalry, trickery and the games Tezatlipoca played was a recurring theme in Aztec mythology, with the flying serpent (Quetzalcoatl) frequently pitted against the black jaguar (Tezcatlipoca).
Texcatlipoca once made Quetzalcoatl look in a mirror, where he saw a false image of himself as a skeleton, then when he looked again, he saw his true magnificent self. Another time Tezcatlipoca tricked Quetzalcoatl into drinking an intoxicant which led to him losing all good sense and purity; indulging in drunken stupor, that led to illicit relations with a priestess. It led consequently, to Quetzalcoatl’s guilt-fueled self-immolation and resurrection. The Aztecs considered the planet Venus to literally be Quetzalcoatl either as the divine being, or as the historical leader embodying the god who had been unjustly exiled. They hoped that one day he would return.
Planet Venus’s Cycles and Return of Quetzalcoatl as a Cycle
The planet Venus had extreme importance to these Mesoamericans. The Dresden Codex is one of the few Mayan books not destroyed by the Spanish invaders. It shows with great detail the calendars that were based on the cycles of planet Venus. These people had incredibly accurate details and understanding, and held important events around Venus’s cycles. When the dazzling and bright star Venus appeared again in the East, after an 8-day absence in its cycle, priests did sacrifices and rituals. Venus completes it revolution around the Sun every 224.7 days, yet, from Earth, Venus seems to complete a perceived cycle every 584 days. The book has a ritual calendar of 104 years based on this 584-day cycle. In this calendar the heliacal rising as a morning star (when Venus seems to appear out of the Sun) was given the ritual length of 236 days, its transition to an evening star at superior conjunction was given 90 days, its period as an evening star was given 250 days, and its disappearance at inferior conjunction was counted as 8 days (during which a wild festival was held). They even had understanding of Venus Retrogrades as a time of war.
The same website describes with remarkable clarity how a four part division of the Venus cycle allowed for the creation of a story, symbolising various types of dualism;
death/resurrection
purity/sin
malevolence/benevolence.
The four intervals could be roughly divided into Venus as a morning or evening star incorporating disappearances in front of and behind the sun. One could begin to say that the planet Venus was born from the Sun, and died back into the Sun.
The fiery Venus was seen by the Aztec as ominous, because historic Quetzalcoatl’s return, was an ambitious and renewed reemergence. Returning to gain justice against a dishonouring and corrupt society.
The stories of Persephone and Inanna were also both stories of first experiencing dishonour and a stripping away, then regaining balance, justice and relationship order with Self after their Underworld journeying. What’s fair is fair. In Persephone’s story for example, both her mother Demeter/Ceres and husband Pluto/Hades plotted to have her by their side full time, feed off of her energy, and capitalise on the benefits of controlling her. The battle for control went to the point that frightened maiden Persephone recognised their selfishness, and the injustice they were causing to her. Eventually she rose from the Underworld a mature, sovereign being, Queen of the Underworld, having attained her own justice. Rising again a more glorious being than before. Insightful due to having alchemised.
Likewise, Inanna rose from the Underworld, and upon returning to her husband, doled out a judgement for his frivolity and dishonouring behaviour; partying so soon after her perceived death and not observing the customary rites of grieving. They are stories of dishonour, injustice, divine recompense and karmic completion. And the triumph of the underdog, because growth, expansion and advancement is available to anyone who is willing to learn the lessons that life present them with, and keep it pushing. Keep on rising.
Venus Duality: Honour and Dishonour
Venus has the qualities of honour, high respect, value, and great esteem as it relates to relationship with Self. It can operate like both a personal ethos and a social teaching, that manifests as a code of conduct or stature.
This is one of the qualities that those who make the gruelling sojourn in the Underworld - to uncover truth - find about themselves in self-evaluation of their worthiness. This is what sets them apart from others afterwards, because the journey forever changes them, and their energy commands integrity and distinction. They know and do what is morally right because they had gotten rid of illusions, distortions and denial - having matured and attained clarity and wisdom - in effect recognising and living up to their true character as a divine being having a human experience. According to Wikipedia, honour takes many forms in social order, but here we want to consider it an inside job and respectful relationship with sovereign Self, first and only…
Honour is to live respectfully in awareness of the beauty, virtuousness, sensuality and the nobility of the soul.
An Underworld visit, and rising from it, entails having detoxified the lower vibrational energies, into vibrant new energy.
Personal elevation is always an inside job, because human beings fall for the temptations to cover themselves with glory, by biting the hand that feeds them. Why? Because people who don’t have their own creativity, or don’t know who they are, may be depressed or directionless. They may not know how to free themselves, thus gravitate towards and attach to others who looks prosperous, because they are clouded in judgement. They need to go within - to find the answers within - not be in others’ energy. It’s a fine line between people loving you, appreciating you and wanting to emulate you, versus when they have hidden motivations… Don’t be ignorant of the little red flags…
If you help people who aspire to be like you, they may end up wanting to be you, betray and backstab you - to get rid of you - and take on what you are deserving of. In effect, setting in motion the cycle of karma to bring the unlearnt lessons regarding honouring Self, all over again. There can only be one you, with your particular qualities. Full stop.
The name of Quetzalcoatl means “serpent of precious feathers” and “wisest of men”. The valuable feathers is symbolic of an appreciation for the unique and exquisite (outer and inner) beauty. Wisdom is another beautiful, hard-won quality often attained in the underworld. The snake was important for the Aztecs, as a symbol of regeneration and resurrection. Everyone need to cultivate their own energy and their own lives. Self love first.
From a metaphorical point of view, those who honour and trust themselves, carry fertility, creativity, abundance and joy. This goddess quality is worth preserving.
Image: Inanna
Image: Persephone
According to the website Ancient-Origins.net:
“The concept of death and resurrection pervades ancient mythology as one of our central hopes is that we can rise again, if not literally then metaphorically. It represents the awakening from denial to awareness, the movement from a lower to a higher nature.
Perhaps the symbolism resonates so strongly with us because of the deep awareness we have that there is a process of becoming available to us, that through patience and self-examination we can discern the necessity for the most humane values and responses to emanate in our lives.”
Many astrologers already know that Venus represents love, fertility, beauty, benevolence etc. We also see it in the multiple associations to Venus in Mesoamerican cultures, with Venus symbolically connected to warfare, fertility, vegetation renewal, the beginning of the rainy season, maize/corn, etc.)
Quetzalcoatl was often considered the morning star, and his twin brother Xolotl was the evening star, even though the ancients clearly knew they were the same planet, they would carry different energies (Venus).
Quetzalcoatl: The Return of the Feathered Serpent from Mictlan (The Aztec Underworld) with New Life
According to Wikipedia, Quetzalcoatl is the god of life, light and wisdom, lord of the day and the winds. Ruler of the West. He is also a deity in Aztec culture and literature whose name comes from the Nahuatl language and means "Precious serpent" or "Quetzal-feathered Serpent".
In the 17th century, Ixtlilxóchitl, a descendant of Aztec royalty and historian of the Nahua people, wrote, "Quetzalcoatl, in its literal sense, means 'serpent of precious feathers', but in the allegorical sense, 'wisest of men'.”
Among the Aztecs, whose beliefs are the best-documented in the historical sources, Quetzalcoatl was related to gods of the wind, of the planet Venus, of the dawn, of merchants and of arts, crafts and knowledge. He was also the patron god of the Aztec priesthood, of learning and knowledge. Quetzalcoatl was one of several important gods in the Aztec pantheon, along with the gods Tlaloc, Tezcatlipoca and Huitzilopochtli. Two other gods represented by the planet Venus are Quetzalcoatl's ally Tlaloc (the god of rain), and Quetzalcoatl's twin and psychopomp, Xolotl, the dog-headed soul-guide for the dead. Mictlan was the Aztec Underworld, and Xibalba (place of fright) the Mayan.
According to Brittanica, “in Aztec times (14th through 16th centuries) Quetzalcóatl was revered as the patron of priests, the inventor of the calendar and of books, and the protector of goldsmiths and other craftsmen; he was also identified with the planet Venus. As the morning and evening star, Quetzalcóatl was the symbol of death and resurrection. With his companion Xolotl, a dog-headed god, he was said to have descended to the underground hell of Mictlan to gather the bones of the ancient dead. Those bones he anointed with his own blood, giving birth to the men who inhabit the present universe. One important body of myths describes Quetzalcóatl as the priest-king of Tula, the capital of the Toltecs. He never offered human victims, only snakes, birds, and butterflies. But the god of the night sky, Tezcatlipoca, expelled him from Tula by performing feats of black magic. Quetzalcóatl wandered down to the coast of the “divine water” (the Atlantic Ocean) and then immolated himself on a pyre, emerging as the planet Venus.”
The legend of the victory of Tezcatlipoca over the Feathered Serpent probably reflects historical fact. The first century of the Toltec civilisation was dominated by the Teotihuacán culture, with its inspired ideals of priestly rule and peaceful behaviour. Immigrants brought about a social and religious revolution, with a military ruling class seizing power from the priests. (Kind of like what happened in Rapa Nui?)
Xolotl Psychopomp of the Underworld
According to Wikipedia, Xolotl is the god of twilight and twins, lord of monsters, misfortune, sickness, and deformities. He is the dark personification of Venus, the evening star, and was associated with heavenly fire. Mythology describes as Xolotl as a master transformer, and one of the few who were able to leave the Underworld.
Xolotl was a god of fire and lightning. He was commonly depicted as a dog-headed man and was a soul-guide for the dead. He was also god of twins, monsters, misfortune, sickness, and deformities. Xolotl is the canine brother and twin of Quetzalcoatl, the pair being sons of the virgin Chimalma. Xolotl accompanied Quetzalcoatl to Mictlan, the land of the dead, or the underworld, to retrieve the bones from those who inhabited the previous world (Nahui Atl) to create new life for the present world, Nahui Ollin, the sun of movement. In art, Xolotl was typically depicted as a dog-headed man, a skeleton, or a deformed monster with reversed feet. As a psychopomp, Xolotl would guide the dead on their journey to Mictlan the afterlife in myths.
Note that although Quetzalcoatl was ruler of the West, Xolotl was NOT ruler of the East. Yet Quetzalcoatl was often considered the god of the morning star, and his twin brother Xolotl was the evening star (Venus). The underworld is the time when Venus disappears, and that happens when it dips below the horizon, or when it is eclipsed. Arguably, retrogrades and conjunctions with Pluto are sometimes made part of a Venus Underworld as well by modern astrologers.
Venus Duality: Conditional and Unconditional Love?
Eclipsing the Feminine. Open Hearts and Closed Hearts
Venus
Planet Venus is one of the most brightest objects in the night sky but during a Venus Sun superior conjunction, the inhabitants of the earth temporarily loses sight of her beauty, as well as the energetic impact of her energy, as she moves closer to the sun. First to disappear in the bright rays of the sun, to be completely eclipsed by the Sun. Venus is most represented by love, beauty, affection, companionship, values, honour and money.
Love conquers many things, but during this particular eclipse of Venus, this energy is rendered invisible, blind, “removed’ or challenged.
Venus’s beauty may not be seen, nor appreciated.
Life may become more turbulent, and some love may be lost.
Alternatively life may take on a surreal feeling, as if one is veiled from life. Convalescing. In exile. Keeping hidden. Protected in silence while in an incubation phase.
At a Special Edition Solstice Panel event, astrologer Jenn Zahrt, Director of CAEILi (Celestial Arts Education Library) shared some rather remarkable detailed information about the October eclipse. She explained that the loss of Venus’s connection, may be felt as relationships turning cold, perhaps feeling ghosted in relationship, people needing their own space, and perhaps doing disappearing acts during that time. It is certainly a time in the 8 year Venus cycle where events reach a certain climax, where Venus first disappears in the rays of the Sun, then to be eclipsed by the Sun completely (along with Haumea in October 2022). See the image below regarding this, sending Venus into a time period of about 50 days as it is invisible behind the Sun. Venus in the Underworld undergoing her death and rebirth process… Few Underworld stories describe the open heart/closed heart dynamic as well as the win-at-all-cost battles story of MakeMake and what happened on Rapa Nui before its near total decline…
MakeMake with a Venus Sun Superior Conjunction in the Discovery Chart
As an astrological researcher, it is not so difficult to connect how the astronomers at IAU (International Astronomical Union) - who are in charge of naming newly discovered trans-Neptunian and Kuiper belt objects - chose to name MakeMake after what happened at Rapa Nui island.
The discovery chart article describes why Rapa Nui / Easter Island has always intrigued, due to being an island shrouded in mysteries. The name of Makemake, said to be the creator of humanity and god of fertility in the myths of the native people of Easter Island, was chosen in part to preserve the object's connection with Easter, which is obvious in multiple ways. MakeMake was discovered on March 31, 2005.
If you study the story of MakeMake and the birdman competition, there are similar themes regarding societal death, involving one way of being collapsing completely, for another to rise in its place. From a certain point of view, it would seem to outsiders that Rapa Nui’s population was completely obliterated, yet from a larger perspective, empires come and go, and get replaced by a new regime, all the time. Cultural identities, consciousness, authority, sovereignty, and values, change with the rhythm of nature, and what is outworn, wears out and disappears. What is not sustainable, or worth perpetuating, leaves, and if something is really of value, it may return, perhaps in a new form, and show us true longevity. The religious practice that persists in the island up to this day is called Ivi Atua, and it is based on the immortality of the soul and mana (spiritual energy). MakeMake too has a Venus Sun Superior Conjunction in its discovery chart, and this article described the association in detail.
“The Mayans believed that when Venus comes out of the Underworld at her heliacal rising, the status quo becomes unstable and regimes might topple. This was an auspicious time to go to war.”
The Mayan and Aztec people had a deep affinity for the planet Venus. In fact, their calendar is based on her cycles, and shows they had intimate knowledge about her cycling between a Venus/Sun superior and inferior conjunction.
Many people also know that the larger cycle Mayan calendar ended on 2012… heralding the beginning of a new era of light bringers and wisdom keepers… Quetzalcoatl…
David Coleman wrote on his blog that: “In Mayan belief, he [Quetzalcoatl] came to Earth to live as a man before ascending as a god, and he was identified with the evening star, Venus Hesperus. As Venus circles the Sun, there are points when, closest to the Earth, she disappears from our perspective, emerging 8 days later. She disappears again when circling round the far side of the Sun, this time for longer, an average of 50 days. The time when Venus is invisible because of being between the Earth and the Sun are called the inferior conjunction, and when she is on the far side it is called the superior conjunction. When she is moving from inferior conjunction to superior conjunction, she is Venus Lucifer, the Morning star; and when she is moving from superior to inferior conjunction, she is Venus Hesperus, the evening star.
Take a look at this hand drawn picture [David] made.
The points on the picture labelled “birth” and “Ascension to Heaven” are when Venus first appears and later disappears around the far side of the Sun – when she appears in our skies, and when she vanishes from them. The points I have called “Descension” and “Ascendancy” are when she is furthest in elongation from the Sun – as far east or west as she can be,
and she is consequently at her brightest and greatest magnitude then. Between “Death” and “Rebirth” (the shaded pink area), she is not visible, having sunk into the horizon, just as the Feathered Serpent god did for 8 days before resurrecting himself and ascending to the heavens again.
The Mayans were aware of all this, and they plotted their (in)famous calendars on it. Not only did they know the cycle of Venus, they further realized that there was a pattern in her appearances. She only ever shows us the same face at inferior conjunction; the same face which faces out from the Sun at the superior conjunction, as if sharing between the Earth and the wider universe. This face is Ishtar Terra.
They knew a further mystery – if one were to plot the zodiacal points of the superior or inferior conjunction, the points of maximum elongation or brightness, or the points at which she appears or disappears – in short, any of the points on her cycle shown in my humble picture – then over 5 cycles they produce a perfect pentagram, or five pointed star. So, as Venus traces a perfect pentagram pattern around the Earth, slowly rotating itself anticlockwise, the Feathered Serpent coils gracefully through time and space, eventually completing an entire circuit, thereby offering the Rose of Venus."
Note the images above, the 22-23 October event has multiple five pointed star associations. Venus orbits around the sun in an 8 year cycle, making this pentagram shape (see the blue lined flower of life pattern image). The five close connections to the middle is where Venus makes its closest approach to the sun. This is the invisible pattern that Venus makes with the Earth in relation. The other five pointed star gallery (yellow) slideshow, shows the ingress of the pentagram in the astrological sky, made predominantly by trans-Neptunian objects, that will be active in the sky for a few years.
MakeMake’s Rapa Nui island’s climate changed, due to human mismanagement of fertile natural resources.
Fertility is a highly important concept in ancient sea-fairing Polynesian culture, that is perhaps most important in the mythology, of MakeMake. Rapa Nui culture of the time before near total societal/environmental collapse worshipped MakeMake, the bird God, which has strong connections to the Hawaiian stories of Haumea, who had a magical stick called the makalei, which is symbolic of providing food abundantly, from nature’s natural capital and wealth. In Hawaii, nature is lush, green and provides abundantly, however, Rapa Nui island’s climate changed due to human activities, which meant that nutrient-dense foods like the egg, became paramount for fertility, on multiple levels.
The Brutal and Dishonouring Win-at-all-cost battle for the Egg of Fertility
…that potentially led to the near total destruction of Rapa Nui island. Read more about this on the MakeMake blog. As can be seen from the video on Mayan mythology, Venus in the Underworld and in Retrograde were associated with loss, war, food scarcity, jealousy etc.
The story of MakeMake is the prime example of a society who were heavily invested in the continued benefits of having that imbalance achieved from victory battle over others, and the benefits that come from being the leader. To continue to fight, and cause tension with competition, and taking when they are not deserving, or claiming rights to over-indulge on scarce natural resources, that needed preservation and protection. To have something over another’s head. The birdman was the annual leader whose occupation involved wielded tremendous power (and disempowerment) over others. To have something that they could use, to “stuff up” another, and have power over them. As a society, they were coming towards the end of their existence, and they needed to look at their loss, and accept that they needed to change. They needed to stop with the warmongering and bullying, if they wanted to be happy… and alive. A judgement call needed to be made, because the ending was near… resources like food and water had nearly ran out on the
island, and topsoil had eroded… an existential threat to their existence. A total loss of fortune. The winning party had wanted to cause a loss and an injustice for the losing party, when in fact the whole ship was going down, for everyone’s demise. In ego. Trapped in a nightmare. A judgement day of their own making.
They have lost control, and their honour.
A self-imposed prison.
A physical and psychological trap.
Stuck.
Wasting away.
Starvation.
As this article was published mere days before the 22-23 October 2022 eclipse, the South Node was at 13 degrees Scorpio; indeed a fine time to be examining the cause and effect of treating others unfairly in relation, like manipulation, control, secrets, and lies. It’s time that we prepare to go into the Underworld for re-evaluation of Venus issues as she spends 50 days there.
Note for the Future: 2 October 2024 Eclipse on MakeMake
On the 2nd of October 2024, there will be another eclipse on 10 degrees Libra conjunct MakeMake and Mercury. It is a Solar eclipse with Mercury cazimi, which means what is happening in 2022 to Venus, will happen to Mercury.
Online Courses:
There is a new online course about the trans-Neptunian and Kuiper Belt Objects involved in the strange mixed bag of energies we've been having since the start of 2020, with some stretching beyond 2030.
The Gonggong Yod is all about the massive chaos caused by floods, too much rain and landslides.
The Sedna Yod is about the respect for people, animals and the natural world being violated and betrayed, and how the natural world can come back to bite. When the WHO announced a global health emergency on 31 January 2020, Haumea in Libra was sextile to Ixion in Sagittarius making a Yod apex on Sedna and malefic fixed star Algol.
The Varuna Yod is about sacred law and order, justice and truth in the cosmos that needs to return.
The Haumea Yod is about the wild abundance and providence of nature that can be created when appropriate governmental structures support benevolence for all.
The MakeMake square Quaoar aspect is about is about the smite that the Hammer of Thor apex makes in Taurus smiting things Taurus, perhaps into oblivion. Curiously, both this Hammer apex and the Sedna Yod makes apexes in Taurus, which is the sign of the bull. Together they are creating massive upset and change in agriculture, the natural world, earth matters, and with cattle; with the recent threat of foot and mouth disease in Australia a great example of the manifestation of this energy. Go to courses for more information.
Learn more about the four Yods pictured below and the bigger picture by going to courses.
If you study the information in the Foundations of Change course, you will understand that some antagonists will rise to counter this change, but the energy is so dynamic, with many powerful solar and lunar eclipses at play and other powerful wildcard energies that promise change.
In the big picture, there will be jostling of many energies, but if each human being stays on course to allow themselves INNER change, and INNER transformation as the energies ask of us, it has potential to be a glorious change.
MakeMake is not permanently part of the seven year Haumea Yod, but do play a role from time to time, as the energy is triggered by multiple eclipses, and in wide opposition to Neptune. The incidents show that it is priority to be in the natural flow of one’s own divine energy, and the concept of natural law; that each human being need to find integrity and moral compass within themselves first, and perhaps even go beyond the limitations of the mind, before they can be in leadership of their brethren.
The mind has been the centre of the human’s identification, and this is what is changing. The mind’s hypnotic force is trying to hold on, while it is also slipping away, so that the human may find their true Self; soul connectedness as a divine being having a human experience.
More Astrological Articles:
![Take a look at this hand drawn picture [David] made.](https://astralvisions.files.wordpress.com/2013/02/ishtar_terra.jpg){kind=link}
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Related Articles:
How Gods Die (The Collapse of Easter Island)
The Mystery of Rapa Nui - What caused the fall of Easter Island?
How the Civilization On Easter Island Collapsed
Easter Island: The Secrets of the Moai and the Decline of the Rapa Nui
Quetzalcoatl and Indigenous Spiritual Truth
The Planet Venus as a Symbol of Death and Resurrection in Ancient Mesoamerica